The Three Burials of Melquiades Estrada is a 2005 American drama film directed by Tommy Lee Jones and written by Guillermo Arriaga. It stars Tommy Lee Jones, Barry Pepper, Julio Cedillo, and Dwight Yoakam.
The film was inspired by the real-life killing in Texas of an American teenager, Esequiel Hernandez Jr, by United States Marines during a military operation near the United States–Mexico border.
The film has many flashbacks and sometimes the same event is shown twice from different perspectives.
Melquiades Estrada (Julio Cedillo), a Mexican immigrant working in Texas as a cowboy, shoots at a coyote which is menacing his small flock of goats. A nearby border patrolman, Norton (Barry Pepper), thinks he is being attacked and shoots back killing Melquiades. Norton quickly buries Melquiades and does not report anything. Melquiades' body is found and is reburied in a local cemetery by the sheriff's office. Evidence that he may have been killed by the U.S. Border Patrol is ignored by the local sheriff, Belmont (Dwight Yoakam), who would prefer to avoid trouble with the Border Patrol. Pete Perkins (Tommy Lee Jones), a rancher and Melquiades' best friend, finds out that the killer was Norton. Perkins kidnaps Norton and forces him to dig up Melquiades' body. Perkins had promised Melquiades that he would bury him in his home town of Jiménez in Mexico if he died in Texas. Perkins undertakes a journey horseback into Mexico with the body tied to a mule and his captive Norton in tow.
It is clear to Sheriff Belmont that Perkins has kidnapped Norton and so the Sheriffs and Border Patrol begin to search for them. Belmont sees them heading towards the Mexico border, but as he takes aim at Perkins he can't bring himself to shoot and returns to town leaving the pursuit to the border patrol. On their way across the harsh countryside the pair experience a series of surreal encounters. They spend an afternoon with an elderly blind American man, played by Levon Helm, who listens to Mexican radio for company who asks them to shoot him since there is no one left to take care of him. He does not want to commit suicide because, he argues, doing so would offend God. Perkins refuses as, if he killed the man, he would offend God. Norton attempts to escape and is bitten by a rattlesnake and eventually discovered by a group of illegal immigrants crossing into Texas. Perkins gives one of them a horse as barter payment for guiding them across the river to an herbal healer. She turns out to be a woman whose nose Norton had broken when he punched her in the face a few weeks previously during an arrest. At Perkins's request she saves Norton's life before exacting her revenge by breaking Norton's nose with a coffee pot.
The captivity, the tiring journey and the rotting corpse slowly take a profound psychological toll on Norton. At one point the duo encounter a group of Mexican cowboys watching American soap operas on a television hooked up to their pickup truck. The program is the same episode that was airing when Norton had sex with his wife in their trailer earlier in the movie. Norton is visibly shaken and is given half a bottle of liquor by one of the cowboys. Norton's wife is shown as she decides to leave the border town to return to her home town of Cincinnati. She has grown distant from her husband and seems unconcerned about his kidnapping stating that he is "beyond redemption." Perkins and Norton then arrive at a town that is supposed to be near Jiménez — the town Melquiades Estrada claimed was his home. No one in the town has heard of Jiménez. Perkins has some luck in locating a woman Melquiades indicated was his wife but, when Perkins confronts her, she states that she has never heard of Melquiades Estrada and lives in town with her husband and children. She does visibly react to Estrada's Polaroid photograph Perkins shows her of Melquiades standing behind her and her children, stating that she does "...not want to get in trouble with her husband."
Perkins continues onward searching for Melquiades' descriptions of a place "filled with beauty." Eventually they come upon a ruined house which Perkins feels was the one Jiménez Melquiades had mentioned. Perkins and Norton repair the walls, construct a new roof and bury Estrada for the third and final time. Perkins then demands that Norton beg forgiveness for the killing but Norton responds with obstinacy. Perkins fires several shots from his pistol around Norton until he breaks down and relents, begging forgiveness from Melquiades. Perkins accepts his outpouring of grief and leaves Norton a horse and in passing calls him "son." As Perkins rides away Norton calls out and asks him if he will be okay, suggesting that Norton may have found the redemption his wife had felt he was incapable of having.
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